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Sam King

  • IMDb

Hello! I’m Sam, I specialise in location sound recording as a production sound mixer / sound recordist for narrative and documentaries . My years of experience include feature films, documentaries, broadcast events, commercials and shorts. Having worked in multiple countries, I love how my work offers a fresh perspective of the world. My passion for the craft, and my willingness, makes me a strong and cooperative crew member. I never say no to a challenge! I have done jobs for ARD German Television, DAZN Boxing, Hans Zimmer and many more.

Location Sound Portfolio

Commercials

Commercials
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Films / Docs

Films and Shorts
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Previous collaborations include

Career Highlights

Year
Production
Role
Format
Prod Company
URL
-
2025
Feel Fast by Adidas

Sound Mixer

Commercial

Let's Do this!

2024
Adias x Copa America 2024

Sound Mixer

Commercial

Gk Films

2024
Apple "going back to School"

Boom Op

Commercial

Jelly Fish

2023
Always Asifa (Bafta Nominated)

Sound Recordist

TV series - Together TV

Raisilience

https://www.imdb.com/title/tt27619033/
2023
AJ x Love Hemp

Sound Mixer

Commercial

Smart Media

2022
Cuttputtli

Sound Trainee

Feature Film

Pooja

https://www.imdb.com/title/tt15315164/?ref_=nm_knf_t_1

Let's create something amazing together!

I'm here to help you create sonic experiences that resonate deeply with your audience.

 

Got any stories brewing? I'm all ears and eager to dive in!

Let's chat and see how we can collaborate to make magic happen!

Sound is 50% of your story!

Drop us a message, let's make that half an unforgettable experience!

Heyy Steven here! I'll get back to you shortly!

I look forward to meeting you! 🤺

  • IMDb

Directors And Sound (DAS) is a trading name of Audioxology Ltd A Company Registered in England & Wales No: 14671704

We stand for fair treatment and support of production sound mixers and boom operators. We align with industry standards set by BECTU/APA for fair budget allocation.
This disclaimer serves to ensure our commitment to our community and deter productions that do not prioritise fair crew compensation.

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